Rural settlement in Central Italy represents one of the most original heritages for understanding the link between architectural principles and the environmental, economic, and social aspects of the cultivated land. The scattered farmhouses are the basis of a particular land management strategy, the Mezzadria (sharecropping), a contract between a landowner and a farmer. The structure of the architecture is always the same, with slight variations, and is characterized by an external staircase that is the prevailing distinctive element. However, the isolated buildings developed a complex system of relations in the territory, a cultural landscape process made up of physical and visual connections. This paper investigates the rural architecture of Central Italy, particularly in the mid-Adriatic area of southern Marche, renewing the knowledge of this peculiar heritage. The exploratory method considers different scales and is based both on the interpretation of hilly geography and on architectonic comparison between artifacts. Ruins in situ visual exploration, valuation of historical maps, and transcription of signs elaborated in drawings and photographs allow us for better identification of the open space relations and building characters. It is concluded that farmhouses are not only architectural objects with ‘honest functional logic’ but real devices for the creation of the hillside landscape, so they need broad investigations that start from solid scientific references to direct future trajectories.
Farmhouses in the Mid-Adriatic: From Architectural Artifacts to Devices for the Landscape Development.
cipolletti, sara
2024-01-01
Abstract
Rural settlement in Central Italy represents one of the most original heritages for understanding the link between architectural principles and the environmental, economic, and social aspects of the cultivated land. The scattered farmhouses are the basis of a particular land management strategy, the Mezzadria (sharecropping), a contract between a landowner and a farmer. The structure of the architecture is always the same, with slight variations, and is characterized by an external staircase that is the prevailing distinctive element. However, the isolated buildings developed a complex system of relations in the territory, a cultural landscape process made up of physical and visual connections. This paper investigates the rural architecture of Central Italy, particularly in the mid-Adriatic area of southern Marche, renewing the knowledge of this peculiar heritage. The exploratory method considers different scales and is based both on the interpretation of hilly geography and on architectonic comparison between artifacts. Ruins in situ visual exploration, valuation of historical maps, and transcription of signs elaborated in drawings and photographs allow us for better identification of the open space relations and building characters. It is concluded that farmhouses are not only architectural objects with ‘honest functional logic’ but real devices for the creation of the hillside landscape, so they need broad investigations that start from solid scientific references to direct future trajectories.File | Dimensione | Formato | |
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