The paper argues on two contemporary questions around the signification of coloured and photorealistic representation: 1. digitally fabricated or captured from the real colours: which are the fakest? 2. colour is still synonymous of advertising (as thought till the first 70’s)? Thereby, the paper includes the investigations connected with a photographic project, which reflects how landscape can be re-drawn by the positioning of a landmark and which wants to go far from the dazzling colours of a “celebrity” under the spot lights: The Shard of Glass of London.
The representation of elusive colour. Photographic perspectives around the Shard of London.
MAGAGNINI, Marta;
2012-01-01
Abstract
The paper argues on two contemporary questions around the signification of coloured and photorealistic representation: 1. digitally fabricated or captured from the real colours: which are the fakest? 2. colour is still synonymous of advertising (as thought till the first 70’s)? Thereby, the paper includes the investigations connected with a photographic project, which reflects how landscape can be re-drawn by the positioning of a landmark and which wants to go far from the dazzling colours of a “celebrity” under the spot lights: The Shard of Glass of London.File in questo prodotto:
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